DEBUT A band of preteens in a quaint English village in the late 1980s confront true evil and grapple with the lifelong consequences in this gripping debut mystery/thriller. Eddie and his sometimes-buddies/sometimes frenemies Fat Gav, Metal Mickey, Hoppo, and Nicky, spend a summer hanging out at the playground, inventing a message system using sidewalk chalk, and avoiding the psychopathic attentions of Metal Mickey's violent older brother and his gang. They bear witness to a horrific accident, observe the ongoing battle between prolife protestors and the doctors and clinicians who run a local Planned Parenthood-type facility (headed by Eddie's no-nonsense mother), and, finally, are led—via ominous chalk drawings—to the remains of a gruesome murder scene. Fast-forward to 2016, when Eddie, still living in his hometown, gets mired in his grim past again. In addition to the core murder mystery, Tudor plays with themes of aging, memory, and paranoia. While the ending is a bit melodramatic and unlikely, readers who relish dark, twisty thrillers will be kept guessing. VERDICT Taut plotting, smooth writing, and a compelling premise will satisfy fans of Jo Nesbø, Camilla Läckberg, and Tana French. [See Prepub Alert, 7/24/17.]—Kiera Parrott,Library Journal

In 1986, Eddie Adams, the narrator of British author Tudor's promising debut, and his four best mates, all early adolescents, become ensnared in a series of ghastly events in the picturesque English town of Anderbury, with the nightmarish inevitability of the Grimmest of tales. In the most shocking episode, a mysterious man leads them to the dismembered remains of a teenage girl in the woods. Not surprisingly, these traumas, which also include abuse, sadistic bullying, and a prank that turns deadly, cast a sizeable shadow over the friends' futures. In 2016, Mickey, one of Eddie's old friends, returns to town after more than 20 years away, planning to write a book about the girl's murder upon the occasion of the murder's 30th anniversary. Danger looms after Mickey announces that he knows who really killed the girl (the prime suspect killed himself before his likely arrest). Though Tudor makes a couple of rookie missteps, including excessive plot twists seemingly for the sake of surprise, her storytelling prowess is undeniable. Agent: Madeleine Milburn, Madeleine Milburn Literary (U.K.). (Jan.)